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  1. You admire a character for trying more than for their successes.(一个角色的可贵之处不在于他最后有多成功,更多在于这个过程中不断的努力和尝试)

  2. You gotta keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be very different.(切实感受观众想要什么,而不是你想要表达什么)

  3. Trying for theme is important, but you won’t see what the story is actually about til you’re at the end of it. Now rewrite.(主题是非常重要的,但如果直到结局也无法表现主题,重新写故事吧)

  4. Once upon a time there was __. Every day, __. One day __. Because of that, __. Because of that, __. Until finally __.(从前有个__。每天,__。有一天__。因此,__。因此,__。最后__

  5. Simplify. Focus. Combine characters. Hop over detours. You’ll feel like you’re losing valuable stuff but it sets you free.(简化,突出重点:合并相似的人物,不要刻意绕弯子。你可能会觉得你丧失了宝贵的素材,但实际上,你的思想会因此解放)

  6. What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?(你的角色擅长什么,适应什么?给他们安排截然相反的情况。挑战他们。看看他们如何应对?)

  7. Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.(在构思中间部分之前,先想好结局。结局是最难写的,提前把它搞定)

  8. Finish your story, let go even if it’s not perfect. In an ideal world you have both, but move on. Do better next time.(把你的故事写完,即便它不完美。完整和完美不可兼得,你只要在下次做得更好就好了)

  9. When you’re stuck, make a list of what WOULDN’T happen next. Lots of times the material to get you unstuck will show up.(当你陷入困境时,列出接下来不可能发生的事情。很多时候,能让你摆脱困境的素材就会出现)

  10. Pull apart the stories you like. What you like in them is a part of you; you’ve got to recognize it before you can use it.(摘录你喜欢的故事。你喜欢这些故事是因为自己和它们产生了共鸣。在你用到这些故事前,需要先认识它们)

  11. Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you’ll never share it with anyone.(把想法写在纸上,并不断改进。如果你只是将它留存脑中,它依旧只是一个好点子,你永远无法讲给别人听)

  12. Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th — get the obvious out of the way. Surprise yourself.(放弃首先想到的点子。还有第二个、第三个、第四个、第五个——不要将就于寻常的事物,惊艳自己)

  13. Give your characters opinions. Passive/malleable might seem likable to you as you write, but it’s poison to the audience.(让你的人物有思想。也许你喜欢消极或者无所谓的态度,但它们对观众而言却是毒药)

  14. Why must you tell THIS story? What’s the belief burning within you that your story feeds off of? That’s the heart of it.(为什么你必须讲述这个故事?是什么信念在你内心燃烧,成为你故事的养分?这就是故事的核心)

  15. If you were your character, in this situation, how would you feel? Honesty lends credibility to unbelievable situations.(如果你是故事中的主人公,在此时此刻,你的真实感受会是怎样?真诚能让不可能的故事变得可信)

  16. What are the stakes? Give us reason to root for the character. What happens if they don’t succeed? Stack the odds against.(主人公遇到了什么危险?告诉观众他们值得被支持的原因,如果他们没有成功会怎么样?)

  17. No work is ever wasted. If it’s not working, let go and move on — it’ll come back around to be useful later.(所有的功夫都不会白费。如果暂时没有成功,顺其自然,继续大步向前。它们总会在未来的某一天闪光)

  18. You have to know yourself: the difference between doing your best & fussing. Story is testing, not refining.(你需要认识自己,认识尽力而为和瞎忙一气的区别。故事是试出来的,不是提炼出来的)

  19. Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.(通过巧合让角色陷入麻烦很棒;但巧合让他们脱离麻烦则是作弊)

  20. Exercise: take the building blocks of a movie you dislike. How d’you rearrange them into what you DO like?(练习:分析你不喜欢的电影,想想怎么编排才能让它成为你喜欢的样子?)

  21. You gotta identify with your situation/characters, can’t just write ‘cool’. What would make YOU act that way?(要认清现在故事和主人公的发展情况,不能仅仅因为写作而写作,而是要知道你为什么选择让故事像这样上演)

  22. What’s the essence of your story? Most economical telling of it? If you know that, you can build out from there.(你知道你的故事的实质吗?你知道它最简洁的表达方法吗?如果你知道,现在就来创造属于自己的故事吧!)